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The Comic as Object Project
The Book as Performance Winston Pei The Book as Performance Winston Pei

The Comic as Object Project

As part of our Head Alien’s ongoing studies at the University of Alberta School of Library and Information Studies, this project starts with a basic, and I think self-evident, premise taken from a different medium altogether – that a video call is not the same as an in-person meeting…

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Who is this ISBN guy?
The Book as Performance Winston Pei The Book as Performance Winston Pei

Who is this ISBN guy?

So, no, this isn’t a post about International Standard Book Numbers, and, no, this isn’t even really directly about the book we are featuring.

But since the back cover of this book provides one of two featured quotes in my Book Cover Project, and the front cover features on my “book wall” pictured at the start of the project, it seemed to make sense to give the book its due as a case study for that same project…

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Oh Yes!
The Book as Performance Winston Pei The Book as Performance Winston Pei

Oh Yes!

As we continue to explore book covers as part of our Head Alien’s Book Cover Project, we wanted to pull an example from our visual storytelling collection. And Oh No! (Or How My Science Project Destroyed the World), written by Mac Barnett and illustrated by Dan Santat, published in 2010 by Disney Hyperion Books, is a great example…

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Book News: Sensitivity Readers in Publishing
Books in the News Winston Pei Books in the News Winston Pei

Book News: Sensitivity Readers in Publishing

For this week’s contribution to the library school book news project, I wanted to share a CBC article exploring the rise of “sensitivity readers” in publishing. It relates to many of the topics that have come up in the course, including representation and diversity in publishing, the fine line between editing and self-censorship, and the not-so-fine and much muddier line between censorship versus serving your audience… which may or may not be the same as catering to the market…

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